Ivan Gaev

Editor, co-author, digital copycat, intermediate, cinemaphilique

Personal info

«In the beginning was the Word». No, not for me. In the beginning was the Film. Remembering my first passions in life, I can only think of motion pictures. I started developing my taste with classical film background, Hollywood, French New Wave, digital age cinema. It lead me into deep and faithful love to 24 fps features - black and white, and colour, and then 3d, and IMAX. Now I adore 50 fps and even more…

Early 2000s. I started working at the most professional and independent news radiostation in old days Russia. Learning to achive my best results while working under pressure, finding best results in very short amount of time, learning to respect dead-lines, searching the ways to raise efficency of my craft. This was the greatest time when I learned modern ways of storytelling, editing spoken words and overcome my own expectations. Meanwhile my pure and devoted love to cinema expanded into something more practical: I started building my own amatuer web site with film news, critique articles and live festival info.

Late 2000s and beyond. My eagerness and luck brought me to the most notable Russian production compny, owned by international star-filmmaker Timur Bekmambetov. It is my alma mater. I learned to work on Avid Media Composer there. At that time it was common practice to invite foriegners to direct local commercial production in Moscow. So noting my language skills I've had the greatest experience working for American, French, British, German, Spanish - dozens in total - film directors. Then, spending some happy years working on Final Cut Pro, I migrated to my favourite and most productive weapon - Adobe Premiere Pro. My natural curiosity, super-fast clicks and active use of hotkeys makes editing enjoyable not only for me, but for my editing partners either.

Feature & Dramatic Shorts

  • «HATE»
    Director Svetlana Samoshina
    Drama, 13 min.
    2020
  • «Bleuberry fields»
    (selected scenes)
    Director Aleksander Vartanov
    Drama, 84 min.
    2016
  • «XI. Armageddon»
    Text Mark Ravenhill
    Director Aleksandr Vartanov
    2012, 13 min
  • «Bullet Collector»
    Director Aleksander Vartanov
    Drama, 120 min.
    2012

    Scene FLIGHT
  • «Bullet Collector»
    Director Aleksander Vartanov
    Drama, 120 min.
    2012

    Scene CHOIR
  • «Bullet Collector»
    Director Aleksander Vartanov
    Drama, 120 min.
    2012

    Scene RUN
  • «Bullet Collector»
    Director Aleksander Vartanov
    Drama, 120 min.
    2012

    Scene WOMAN
  • «Bullet Collector»
    Director Aleksander Vartanov
    Drama, 120 min.
    2012

    Scene GIRL

Highlights & new

  • Client Versace
    Event Milan Fashion Week
    Director Albert Moya
  • Client H&M
    Company Cherish waste
    Director Albert Moya
  • «From Premium to Luxury»
    Client Mercedes
  • Client Stella Artois
    Production ZEBRA Hero
    Director Tatiana Gulina
  • Client Coca Cola + Red Cross
    Production SPOT
    Director Tatiana Gulina
  • Client Ford
    Production BWGTBLD Berlin
    Director PANTERA
  • Client Apple + Adidas
    Бюро «Рабочее Название»
    Director Felix Umarov
  • Client Hasbro games
    Agency Leo Burnett
    Director Ilya Aksenov
  • Client Pantene
    Agency BBDO
    Production Pacific
    Director Marco Pinesi
  • Client Pepsi
    Agency BBDO Russia
    Production Stereotactic
    Director Papaya Dog

Online services & retail

  • Client AVITO
    Production Stereotactic
    Director Vladimir Sobolev
    DOP Dasha Grafova
  • Client Ya.Market
    Production AMBER
    Director Vladimir Beck
    DOP Evgeny Kozlov
  • Client Utkonos ONLINE
    Production PINERY
    Director Vladimir Vaulin
    DOP Egor Protskó
  • Client Miratorg
    Production Duck Soup
    Director Olaf Van Gerwen
  • Client MTS
    Brand Smart Univercity
    Agency BBDO Russia
    Director Vladimir Beck

Pharma

  • Client EApteka
    Production ZEBRA Hero

Cars

  • Client Škoda
    Production Park
    Agency Leo Burnett
  • Client General Motors
    Brand Ravon
    Agency Cheil
    Production Focus Film
    Director Nigel Simpkiss

Banking

  • Client Alfa-bank
    Production Hype
    Director Vitaly Shepelev
  • Client Otkrytie bank
    Production Hype
    Director Vitaly Shepelev

Beauty

  • Client Unilever
    Brand Pure Line
    Production Duck Soup
    Director Jane Dow

Artistry

  • «Bolshoi Theatre»
    Client Samsung
    Director Pavel Ganin
    2015
  • Teaser-films for perfomances
    at Diana Vishneva's
    balley festival CONTEXT
    Director Igor Isakov
  • Teaser-films for perfomances
    at Diana Vishneva's
    balley festival CONTEXT
    Director Igor Isakov
  • Introductory film for non-profit
    initiative «Akropolis» aiming to bring social attention to life with disabilities in nowaday Russia
  • «XI. Armageddon»
    Text Mark Ravenhill
    Director Aleksandr Vartanov
    2012
  • «Family Christmas»
    Client TSUM Moscow
    Director Gina Onegina

What I do for fun? Editing Kubrick...

  • Masterly crafted from classical rhythmic structures and futuristic designs, this motion picture' scenes are used over and over again as a catalog of timeless borrowings and references for generations of filmmakers. This space opera offers an inexhaustible number of standards and a wide field of elements for creating films about artificial intelligence and zero gravity.

...and Hitchcock...

  • The most exciting in combining talent and venturous spirit, compiling diverse elements from shocking and tragic to lightweight into a dynamic lyrical narrative. He always showed the ironic in everyday life. The Freudian elements which he incorporated into the storytelling of «Lady Vanishes» was and remains his grandiose discovery for the visual symbolical set and highly skilled yet frivolous illustrations of the unconscious layers of human nature.

...and colorgrading Winterbottom

  • Chilled through with cold north winds golden rush drama shot by Michael Winterbottom on snowy location in Colorado and Canada with beautiful Mila Jovovich and Sarah Polley.

    It was shot on film. And unfortunately it was never restored.